For Michael Hurst's performance alone, Amadeus is worth the watch.
This gratuitous vandalism is only occurring with the works of dead authors, unable to do anything about it.
Handa Opera on the Harbour's production of Carmen looks impressive.
The Iranian film maker Asghar Farhadi manages to walk the censorship tightrope quite skilfully.
Passio combined the music of fifteenth century England and the twenty-first century.
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