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Cav and Pag; sex and death


Mascagni's Cavalleria rusticana and Leoncavallo's Pagliacci (or Cav & Pag as they're more commonly known) are short, one act operas, each lasting just over an hour. But for an opera company, they're a major undertaking.

John Daly-Peoples
Wed, 27 Jul 2011

Cavalleria Rusticana & Pagliacci
NBR New Zealand Opera

Wellington – St James Theatre
Vector Wellington Orchestra with the Chapman Tripp Opera Chorus.
August 27th - September 3rd

Auckland – Aotea Centre, The Edge
The Auckland Philharmonia Orchestra, with the Chapman Tripp Opera Chorus.
September 15 - 25

Mascagni’s Cavalleria rusticana and Leoncavallo’s Pagliacci (or Cav & Pag as they’re more commonly known) are short, one act operas, each lasting just over an hour. But for an opera company, they’re a major undertaking.

Both works require large choruses and orchestras and, being two different operas, two casts of principal soloists. Aidan Lang, General Director of The NBR New Zealand Opera which presents these works opening in Wellington on August 27th says that you don’t take these on lightly. “The artistic numbers are vast,” he says, “with 10 principal soloists in the combined operas, and between Auckland and Wellington, approximately 150 adult chorus, 20 children’s chorus, and 140 orchestral musicians. Those numbers can create a mighty volume of sound! And they do, and it’s magnificent.”

“Our audiences are due a big, bold opera and Cav & Pag is exactly that. The drama is raw and hard-hitting and the highly charged music creates a massive impact on its audience. To that end, we’ve brought in singers who are at the top of their game and who will do justice to the works and the string of popular and much-loved hits that have arisen from these operas.”

Cavalleria rusticana features Peter Auty, established as one of Britain’s leading tenors, as Turiddu, with one of the world's foremost dramatic sopranos, Ukrainian Anna Shafajinskaia, singing Santuzza. Polish baritone Marcin Bronikowski, who returns following his stirring portrayal of Marcello in 2008’s La bohème, is Alfio (he also sings Silvio in Pagliacci), and two of New Zealand’s top young mezzo sopranos, Anna Pierard and Wendy Doyle sing the roles of Lola and Mamma Lucia respectively.

Pagliacci sees leading Mexican tenor Rafael Rojas take the role of Canio, while American Elizabeth Futral, one of the major coloratura sopranos in the world today, sings Nedda. After his star turn as goofy Taddeo in The Italian Girl in Algiers, highly regarded Australian baritone Warwick Fyfe returns for the gritty role of Tonio, and New Zealand tenor Andrew Glover returns from the UK to sing Beppe.

The Chapman Tripp Opera Chorus, Vector Wellington Orchestra and Auckland Philharmonia Orchestra, under the baton of acclaimed Slovakian maestro Oliver von Dohnányi, complete the artistic line-up.

Bringing Cav & Pag to the stage are English director Mike Ashman and New Zealanders John Parker (set designer) and Elizabeth Whiting (costume designer) – who brought audiences the acclaimed 2006 production of Faust. “Expect this team to provide a similarly memorable production this time around,” adds Lang.

John Daly-Peoples
Wed, 27 Jul 2011
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Cav and Pag; sex and death
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